I was having some trouble today recording anything using my new Keeley Octa Psi on the fuzz side. It’s just hard to make a Muff cut with anything but lead sounds. But then I realized there was a part of one of our songs that we wanted to add some musical feedback.
I charged that sucker up, activated max feedback, shook the hell out of my hand and guitar to get some vibrato and slide action, and added some haunting reverb in post.
Now I can’t hear the song without it.
I’ll have to learn how to replicate it live without taking away from the other part I should be playing at the same time.